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|  | | | Customer Reviews: | | | Average Customer Review:
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 This is one of their best Aug 11, 2009
Great album, it ranks just under Black Sunday for the simpel reason there are no real classics on it. But almost every song is great!
 GOOD TUNES Mar 02, 2008
GOOD ALBUM,WITH A TRULY GREAT SONG ABOUT WOMEN(WHATS YER NAME)WORLD CLASS LESSON IN WOMEN IN ONE SONG,FANTASTIC.
0 of 2 found the following review helpful:
 What happened? May 23, 2006
This ain't the Cypress Hill I know. On top of that, they sampled their other albums too much.
1 of 2 found the following review helpful:
okay... May 11, 2006
It's like the commercial white man came in and stole all the good rap, then turned it into pop-rap (and I'm white!). I've listened to Cypress since album one -Skull and Bones was somewhat ok, the rest are better though. This Cypress album AT LEAST still tries to stay somewhat true to old school and not this new "happy rap". What did all the ganstas move out of the hood and into the suburbs? You'll be hard pressed to find the old school still trying to do this.
5 of 5 found the following review helpful:
 Good lyrics, bad music Apr 01, 2006
I've been listening to Cypress Hill since Black Sunday, so my review will be in the context of a pretty solid Cypress Hill fan.
Firstly, as many of the other reviewers have stated, the beats on most of the songs leave a bit to be desired. The production values are good; the music is very clear, except for parts that are intentionally not supposed to be (samples from vinyl, for instance). However, the beats just aren't that memorable. "Another Body Drops," "Street Wars," and "What's Your Name?" are really the only songs that you'll listen to over and over again.
On the other hand, the lyrics are outstanding. B-Real's flow has just gotten better by the album. I have all of Cypress Hill's albums on my MP3 player, and while I'm at work I'll listen to them in release date order, and you can really see how B-Real has improved his skills as a lyricist over time. His rhymes keep getting tighter and tighter, and I really believe that he's a fairly under-appreciated rapper. Let me state, however, that as someone else here said, the hooks suck. You can tell that they couldn't figure out a catchy hook, so they just repeated the name of the song (see the song "Dollar Bill"). This is a probem that started on Skull and Bones, and I think it's just going to continue.
I personally believe that III: Temples of Boom was the Hill's greatest album. It was so dark and moody, and Mugg's beats were almost dank and dungeon-like. Everything before III was Cypress Hill trying to find their identity, and everything after was them moving a little more towards the mainstream rap circle. I'm not saying they sold out, it's just that their music has become a little more of what one would expect from a rap group. If you don't have III: Temples of Boom, you need to buy it. It's one of my favorite albums of all time. Till Death Do Us Part, however, is a more mundane and forgettable chapter in Cypress Hill's history.
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