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The Night of the Gun: A Reporter Investigates the Darkest Story of his Life--His Own
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The Night of the Gun: A Reporter Investigates the Darkest Story of his Life--His Own

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Description:

Do we remember only the stories we can live with?

The ones that make us look good in the rearview mirror? In The Night of the Gun, David Carr redefines memoir with the revelatory story of his years as an addict and chronicles his journey from crack-house regular to regular columnist for The New York Times. Built on sixty videotaped interviews, legal and medical records, and three years of reporting, The Night of the Gun is a ferocious tale that uses the tools of journalism to fact-check the past. Carr's investigation of his own history reveals that his odyssey through addiction, recovery, cancer, and life as a single parent was far more harrowing -- and, in the end, more miraculous -- than he allowed himself to remember. Over the course of the book, he digs his way through a past that continues to evolve as he reports it.

That long-ago night he was so out of his mind that his best friend had to pull a gun on him to make him go away? A visit to the friend twenty years later reveals that Carr was pointing the gun.

His lucrative side business as a cocaine dealer? Not all that lucrative, as it turned out, and filled with peril.

His belief that after his twins were born, he quickly sobered up to become a parent? Nice story, if he could prove it.

The notion that he was an easy choice as a custodial parent once he finally was sober? His lawyer pulls out the old file and gently explains it was a little more complicated than that.

In one sense, the story of The Night of the Gun is a common one -- a white-boy misdemeanant lands in a ditch and is restored to sanity through the love of his family, a God of his understanding, and a support group that will go unnamed. But when the whole truth is told, it does not end there. After fourteen years -- or was it thirteen? -- Carr tried an experiment in social drinking. Double jeopardy turned out to be a game he did not play well. As a reporter and columnist at the nation's best newspaper, he prospered, but gained no more adeptness at mood-altering substances. He set out to become a nice suburban alcoholic and succeeded all too well, including two more arrests, one that included a night in jail wearing a tuxedo.

Ferocious and eloquent, courageous and bitingly funny, The Night of the Gun unravels the ways memory helps us not only create our lives, but survive them.

Features:
Product Details:
Author: David Carr
Hardcover: 400 pages
Publisher: Simon & Schuster
Publication Date: August 05, 2008
Language: English
ISBN: 1416541527
Package Length: 9.1 inches
Package Width: 6.4 inches
Package Height: 1.3 inches
Package Weight: 1.45 pounds
Average Customer Rating: based on 180 reviews
 
Customer Reviews:
Average Customer Review:4.0
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3"The night of the score" is more like it  Sep 25, 2009
To my mind this book should have been titled "The Night I Left My Babies in the Car Alone for Hours in the Middle of Winter in Front of A Crack House So I Could Go In and Score." That scene was the emotional core of the book as far as I'm concerned.

"I walked toward the darkened car with drugs in my pocket and a cold dread in all corners of my being," the author writes. "I could see their breath. God had looked after the twins, and by proxy me, but I realized at that moment that I had made a mistake... I made a decision at that instant never to be that man again."

Well, the author's intent was good, yet still it took quite a few rehabs to sober up. But at least his story, and that of his children, ends well. To see his byline in the New York Times these days makes you realize how easily he could have been just another obit in the same paper.

The hook of a journalist investigating his own story was what drew me in. But, truthfully, I really didn't care whose memories among this sorry, addicted lot were accurate and whose not. That one of them wielded a gun one night - the author? the author's friend? - isn't a particularly shocking event sandwiched as it is between hundreds of similarly depraved scenes.

I read this book in batches. I had too. The sordidness got to me every few chapters and I had to put it down. If I could just summon a little more of that prurient interest the bottom-feeding public is so widely credited with having, I might rate books like this higher than I do.


1 of 1 found the following review helpful:

2Short of anything purposeful  Sep 17, 2009
I tried so hard to like this book. I really wanted to, given all the rave reviews and press. But, like so many other over-exposed media products, this one fell short of my expectations. I found Carr's writing style to be self-indulgent. I found myself asking "Well, why do I care?" while I was reading about his problems. He failed at connecting the reader to the story in any emotional realm. Some may like this, however, it made it impossible for me to get into the book with any sort of interest. It was just a very disjointed collection of random events during his life that he's gone through without much purpose. Possible fun for some, but not for me.

0 of 1 found the following review helpful:

4Awesome.  Sep 17, 2009
I am a memoir addict, which I suppose is the literary equivalent of reality TV (but I hate reality TV, I swear. But I digress). The more brutally honest, the better in my mind.

David Carr is a gripping writer with a compelling story of addiction and loss to tell. It's one of those books you can't put down. And he's an author to admire for having the courage to tell a story that doesn't spare any unflattering details. This kind of writing is urgent, rare and captivating. This book is excellent and deserves to be read.

5Help me to remember who I am  Aug 20, 2009
With many memoirs, writers can tend to build themselves up in such a way as to glory in the things they have done. Or experienced. Or seen.

David Carr seems to take a different approach by weaving in a reporter's knack for getting to the bottom of things with a life that was lived between the space of true cognizance and a drug induced oblivion. That knack for reporting is what makes this book truly interesting as Carr unabashedly discloses the reality of who he was through other peoples' eyes.

Though I myself have never been addicted to drugs or alcohol, it's easy to relate to Carr's experiences as his story is interrupted by love, faith and community. None of this looks perfect, but whose life does? At the end of the day, there's an honest sense that he is where he is because other people helped him to get there - and that's an amazing theme for life in a culture whose subtext can more often be that of self reliance rather than interdependence.

At the end of the day, it's a great read because it causes the reader to reflect whether or not our interpretation of "what happened," is even close to accurate...even for those of us to teeter through life as generally sober. It's a wonderful look at how the people that loved David helped him to become a person who loved back and how they are helping him to stay in that mind set even now.

This is not a book about super heroes.
It is not a book about the self made man.
It is a book that acknowledges how truly broken our lives can be and how much we need other people. Thank you for the read, Mr. Carr.


4Fascinating, but tedious chronicle of a personal journey  Jul 27, 2009
In "The Night of the Gun," David Carr examines his own life using the same reporting techniques he used as a reporter. He does not believe his own memory is the definite truth, but uses it as one way of looking at the truth, along with the memories of others and historical data such as police reports. In the process, he discovers that his own memory is incredibly biased towards his own self-interest; he finds that reality differs incredibly from his own perceptions. This realization is the important journey in "The Night of the Gun"--not how Carr spiraled into further disasters, nor how he got himself out of them. It's really Carr's philosophical musings that are most interesting. Unfortunately, he spends a lot of time talking about boring details of his tale or introducing far too many characters. So, Carr's book is a fascinating exploration of memory, but unfortunately it often gets too bogged down in irrelevant specifics.

 
 
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