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|  |  | | Customer Reviews: | | | Average Customer Review: Write an online review and share your thoughts with other customers.
Technique over melody Nov 17, 2009 The virtuosity on this cd is beyond dispute, buit I feel it comes at the expense of finer melodic sensibilities often. Often sounds like McGhlaughlin is unable to do anything but "blow" everything he has right away...over and over. Lacks the ebb and flow more mature musicians have. Still good, historically influential.
0 of 1 found the following review helpful:
Tight... Feb 15, 1999 ...that's all I have to say about this album--it's simply tight to death
1 of 1 found the following review helpful:
At it's time,THE cutting edge of jazz/rock music. Dec 17, 1998 This recording is definitely a landmark, not only at the time of its release but to this day. Encouraged in the late 60's by Miles Davis, John McLaughlin took the U.S. by storm just a few years before the making of this recording. Some say that it was McLaughlin just as much as Miles, who really gave birth to the riveting music which originally was given the name of jazz-fusion. McLaughlin's technique and vision as heard on this recording can be heard emerging on earlier Miles Davis albums such as Bitches Brew; Jack Johnson; and especially Live-Evil, which was recorded in 1970. Yet, when Inner Mounting Flame was released, it took what Miles was doing to another level all together. The compositions were much more complex and intricate than anything else that was being attempted at the time. The soloing and interplay was beyond reproach and capivated audiences where ever they played. The members of the band developed an organic feeling to the music and added much to its performance. This is some great music indeed.
1 of 1 found the following review helpful:
Passion, smarts, virtuosity Aug 13, 1998 This is my all time favorite recording from the late 60s/early 70s fusion movement fathered by Miles Davis and inspired by the first real rock genius, Jimi Hendrix. (Mahavisnhu) John McLaughlin is a former Miles sideman and an unexcelled guitarist, and he was on fire when this recording was made. Mclaughlin brought his jazz sophistication into this recording, as well as gutsy blues/R&B feel and an ear for Indian music. Former Flock violinist Jerry Goodman fires off his share of smoking licks as well. Fusion largely fell on its face when it became a commercial Category, but this was before all that, and this is uncompromised greatness.My only beef is that the recorded sound, expecially of Billy Cobham's fiery drumming, is mediocre at best
1 of 1 found the following review helpful:
A landmark fusion masterpiece Jun 24, 1998 This is the start of jazz-rock fusion guitar heroism. McLaughlin the trailblazer shows all who came after him (Scofield, Holdsworth, Connors, Khan, etc) how to take the power of rock and the brains of jazz and make something great from it. This is required listening for anyone who thinks that rock and jazz can merge to make something greater than the sum of its parts. It is also required listening for anyone who is interested in the fusion of Indian music and jazz; also anyone who is interested in electric violin playing.
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