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The Girl Who Came To Supper (1963 Original Broadway Cast)
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The Girl Who Came To Supper (1963 Original Broadway Cast)  (Audio CD) 
by Noel Coward

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Product Details:
Audio CD Release Date: November 24, 1992
Studio: Sony
Composer: Noel Coward
Conductor: Noel Coward
Orchestra: Girl Who Came To Supper Pit Orchestra
Number Of Discs: 1
Format: Cast Recording
Average Customer Rating: based on 8 reviews
Track Listing:
1. Introduction/Carpathian National Anthem
2. I've Been Invited to a Party . I've Been Invited to a Party - Florence Henderson
3. When Foreign Princes Come to Visit Us - Chorus
4. Sir or Ma'am . Sir or Ma'am - Roderick Cook, Florence Henderson
5. Soliloquies . Soliloquies - José Ferrer, Florence Henderson
6. Lonely . Lonely - José Ferrer
7. London Is a Little Bit of All Right - Ensemble, Tessie O'Shea, Sean Scully
8. Here and Now . Here and Now - Florence Henderson
9. Coronation Chorale . Coronation Chorale - Ensemble, José Ferrer, Florence Henderson
10. How Do You Do, Middle Age? . How Do You Do, Middle Age? - José Ferrer
11. Curt, Clear and Concise . Curt, Clear and Concise - Roderick Cook, José Ferrer
12. Coconut Girl: Welcome to ... . The Coconut Girl: Welcome to ... - José Ferrer, Florence Henderson
13. This Time It's True Love . This Time It's True Love - José Ferrer, Florence Henderson
14. I'll Remember Her . I'll Remember Her - José Ferrer
 
Customer Reviews:
Average Customer Review:4.0
Write an online review and share your thoughts with other customers.

0 of 1 found the following review helpful:

2Strictly for die-hard Coward fans  Dec 27, 2007
This is a very mediocre Noel Coward score. Except for " London Is A Little Bit Of All Right", the show is one big bore.

1 of 5 found the following review helpful:

2Only Tessie O'Shea shines and sings for this supper  Aug 23, 2005
Whatever you do, don't buy this album. Florence Henderson is so over the top that her performance in this makes her performance in "The Brady Bunch" seem like Eugene O'Neill and Jose Ferrer should have been put out to pasture like the dead race horse he seemed to mimic in his singing (if anyone can call it that). And Noel Coward just didn't have it by that time in his life as can be witnessed by his other late show the cloying "Sail Away". Only Tessie O'Shea in an Alfred Dolittle imitation gives this funeral pyre its needed light. I wouldn't pay 24 cents for this Cowardly frey into self-delusion and self-parody.

1 of 1 found the following review helpful:

5Vintage Noel Coward  Dec 10, 2004
Tho' THE GIRL WHO CAME TO SUPPER was not commercially successful when it opened on Broadway in 1963, it contains a brilliant, late-period Noel Coward score. Stars Jose Ferrer, Florence Henderson and Tessie O'Shea make the most of each song. An adaptation of THE PRINCE AND THE SHOWGIRL, which turned up on screen with Olivier and Monroe, the songs are Coward at his theatrically savvy and romantic best. O'Shea makes the very most of a real true showstopper, a quartet of rollicking songs about London during Coronation time. The recording appears to be out-of-print now. It's one of those worth seeking out. Cheery and sentimental, it's always a delight to give this one a listen.

3 of 3 found the following review helpful:

5I cant get it out of my head  Feb 09, 2003
Ever since borrowing this record from the library
in 1972 it's music pops into my head at the the
oddest moments. Once heard it has never been forgotten.
It's a joyful little sonnet to life's unexpected twists and turns. Perhaps it is out of fashion, but it is never out of tune.

3 of 9 found the following review helpful:

2Coward's last show a boring dud - a musical pastiche  Jul 18, 2000
I am amazed at the other five star reviews on this page. Coward's last show is a lumbering elephant about a poor poor lonely middle-aged prince and the chorus girl he meets, romances and loses. How can anyone care about either of them as characters - they are completely irrelevant to our times, their problems those of the aristocracy which has for the most part ceased to exist. The score has only one notable number, a ballad entitled HERE AND NOW. For the rest we have forgettable tunes in songs ranging from under two minutes to over four. Each act is stopped by a completely irrelevant ten minute specialty number (Tessie O'Shea singing a pastiche of four old Coward songs and Florence Henderson singing the plot of the musical her character is appearing in). Neither has any relevance to the plot, neither is funny or endearing, and indeed, the Henderson number ends in what has to be the absolutely stupidist dance number (The Walla Walla Boola) if you don't count The Kangaroo from BRAVO GIOVANNI. The music and lyrics as well as the book are undistinguished, irrelevant and boring. A true dud of a musical.

 
 
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