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|  |  | | Customer Reviews: | | | Average Customer Review: Write an online review and share your thoughts with other customers.
mesmerizing Jul 13, 2009 I like Patricia Barber quite a bit, but not everything she does. This is sublime -- a real honoring of Cole Porter yet a contemporary album. This and Madeleine Peyroux's Careless Love (I know I am years behind and I don't care) have secure places in my 5 changer player for the next several months.
Can't get much better... Jan 19, 2009 I bought this cd for my husband for Christmas. It's great wrapping a gift that you just know is going to be what they want! We've seen her in concert, so no, this isn't as good as that, but Patricia Barber is just one of the most sublime muscians out there. Even my 3-year old loves the CD. We had friends over for a casual dinner and it was just the perfect music playing.
8 of 8 found the following review helpful:
One of America's Finest Artists Nov 11, 2008 I thought 2006's "Mythologies" was one of the most creative "jazz" recordings ever, and one of the best c.d.'s of that year. When I heard that Ms. Barber was going from that Guggenheim-funded project to a c.d. of Cole Porter covers, I thought, "Huh?"
But in a weird sort of way, it makes sense. Say what you will about Patricia Barber: this is an artist who pushes the envelope. And discovering how to make new and fresh an idea that has been done a thousand times before is, in its own way, a creative challenge.
And Patricia Barber succeeds. Here's why:
In previous recordings, I've noted that Patricia Barber is like a singing Mrs. Robinson - one who sings with a detached cool that masks a profound amount of emotion. Here, she lets the emotion out.
Check out the broad romance of "Late Afternoon and You." Consider the breathless wonder of "C'est Magnifique." Or listen to the intense forboding of "Get Out of Town." Or the bitter, clenched-teeth delivery of "Miss Otis Regrets." Throughout, Ms. Barber consistently finds the right tone for each of these songs, and performs them artistically.
An admiring word, as well, regarding her main and long-time instrumentalist, guitarist Michael Arnopol. As he demonstrated on "White World" on both the "Mythologies" and the "Fortnight in France" recordings, this man can be the fastest guitarist since John McLaughlin. But here, throughout he sublimates the ego and plays to the musical settings which Ms. Barber has created. It's not that he can't play dazzlingly: check out what he does on "What Is This Thing Called Love?" It's that first and foremost, he plays musically.
Is Patricia Barber one of the finest singers around? I have others I prefer. Is she one of the finest pianists around? I have others I prefer (though she does some of her best work ever on "In the Still of the Night").
But is she one of the finest artists around? Indubitably, and that's what it's all about. "Mythologies" was one of my favorite recordings of 2006; and likewise, this one for 2008. RC
(p.s. - my bad. The wonderful guitarist here and in the other recordings is actually Neal Alger. Michael Arnopol is Ms. Barber's wonderful and long-time bassist. RC)
1 of 2 found the following review helpful:
Patricia Barber Scores Again Oct 31, 2008 Another wonderful jazz r5ecording by the very t5alented Patricia Barber. I have enjoyed many of her previous releases and this is added to my top jazz recordings. Her arrangements are creative and capture the soul of the music.
4 of 9 found the following review helpful:
Not impressed. Oct 27, 2008 With all the critical hype I thought this CD would be better. I listened a couple of times but didn't like the songs or the arrangements so I don't play it anymore.
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