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Forgettable rock Sep 26, 2009 I have mainstream rock taste, and I understand why I'd never heard of this band. They have a decent 'sound', but they lack melody - or something. Maybe they just need another band member to be the 'glue' or to fill what's missing from their songs. They remind of a harder rock version of "Dashboard Confessionals" - and, like D.C., they think their words are so great that they don't feel the need to put forth the effort to make the words rhyme.
Major label does not mean sell-out Aug 11, 2009 I know some will not agree with me, but I think this CD is soooo much better than Blue Skies, Broken Hearts, Next 12 Exits. Yes, it's more emo than their earlier work, but in 2003, emo was the current thing.
I'm sure Kris and company realized that they could not continue making pop-punk music if they wanted to make any real money. Astoria got them noticed (and a spot on the WB's Pepsi Smash).
Great through and through Jun 18, 2009 With this album, I experienced a phenomenon I hadn't in years... I actually liked every song on it a lot, and like a lot of great albums, not all of the songs worked for me at first but then the more I listened the more I liked them. The Boys of Summer cover was one of the best covers I've ever heard and I still think Henley's version is incredible.
And I'm certainly not a kid, and remember the 80s quite well.
3 of 6 found the following review helpful:
Please make it stop. Jun 03, 2008 You kids today. Pop. Power-pop. Punk. Emo. Rock. Alternative.
Corporate culture has sold you a bill of goods and you've swallowed it wholesale. So much of today's above-referenced music sounds so much the same, when you step away from it a few feet. Arguing over needless categories merely disguises that fact.
I'm not going to say that "back in my day" music was better. There IS good music now, has always been good music, and there will always be interesting music. But there is a whole slew of "kids" today (which is intentionally vague) that feel it's important to know just what category to label the Ataris, or a million other similar bands.... people that say they like alternative but not emo, that they love "punk" but not "hardcore", or who ONLY like indie rock. Let's face it, you're arguing over nothing, and maybe when you're in your 30s will hopefully start developing your own interesting opinions that aren't related to what others in your high school (or whatever) like or don't like.
I've been listening to a lot of this stuff lately, and "So Long Astoria" is another in a long line of today's cookie-cutter rock. Yes there are melodies, yes there are big guitars, yes there are many opportunities for fist-pumping good times. If I was Kurt Cobain, I would be rolling over in my grave at how the truly awesome excitement of what "Nevermind" helped create some 17 years ago has devolved into a formulaic template that keeps selling and selling and selling.
Another "Boys of Summer" cover? These guys should cover, oh, how about Journey's entire "Escape" album, and we can all call THAT brilliant too. If there's a spark of uniqueness in the Ataris, I hope they follow it on future records!
0 of 1 found the following review helpful:
So long, youth Feb 23, 2007 Or so it seems. I like this album a bit less than previous ones. A lot of the songs a "deeper," which in and of itself isn't bad, but takes some of the fun out of the equation. These guys were really good at what they did previously, this comes off a bit too preachy in spots. Still a few winners like "Boys of Summer," which I think effectively ended the Don Henley era.
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