|  | | | Customer Reviews: | | | Average Customer Review:
Write an online review and share your thoughts with other customers.
 Beecham's American Adventure Nov 12, 2009
During the early years of World War II, Sir Thomas Beecham left Great Britain for safer regions, eventually settling in the U.S.A. He conducted a number of orchestras and at the Metropolitan Opera. He even served as music director of the Seattle Symphony Orchestra, although he was typically outspoken about what he thought Seattle lacked in cultural attractions.
Sir Thomas had a long relationship with Columbia Records and had made numerous recordings for them, going back to 1910, in England. Columbia used British recording crews and made hundreds of 78-rpm discs with the witty, energetic, and imaginative Sir Thomas. Among the best recordings were those he made with the London Philharmonic Orchestra during the 1930s in Queen's Hall, an acoustically perfect concert hall which also served as the home of the BBC Symphony Orchestra.
When Sir Thomas came to New York City in the early 1940s, Columbia decided to make a number of recordings with him conducting the New York Philharmonic Orchestra, which had recently lost another British conductor, Sir John Barbirolli, as its music director. The orchestra was apparently going through a rough time because they had not had a very good relationship with Sir John, who some writers say was too young and inexperienced to take over the orchestra after Arturo Toscanini's retirement (which actually proved temporary since he soon became music director of the new NBC Symphony Orchestra). Anyway, Sir Thomas got excellent results from the New York musicians in a series of recordings, which were made in Liederkranz Hall (the site of a number of excellent Victor recordings in the late 1920s with the Metropolitan Opera Orchestra). The performances recorded were all top-notch, despite some occasional minor flubs, dominated by Sir Thomas' remarkable drive and inspiration. The Mendelssohn "Italian" symphony, the Sibelius seventh symphony, excerpts from Rimsky-Korsakoff's "Le Coq d'Or," etc., were given very spirited and impressive performances. A recording ban later in 1942 probably prevented further collaborations.
After the war, and after Sir Thomas had founded another British orchestra (the Royal Philharmonic), the maestro returned to New York to make more recordings with a group of New York musicians called the Columbia Symphony Orchestra. There had been further advances in recording technology, which further enhanced the series of excellent recordings. Then, in 1952, he made a few recordings with the Philhadelphia Orchestra, including the overture to Rossini's opera "Semiramide."
All of these recordings have been wonderfully remastered, completely eliminating all tape hiss and surface noise. What emerges are masterful performances with exceptionally good sound. They are further testimony of the musical gifts of the amazing Sir Thomas Beecham.
3 of 3 found the following review helpful:
 Great musicianship from Beecham, but quite variable sound Mar 15, 2006
This 2-CD set comes from Sony's lavish but short-lived "Masterworks Heritage" series, and I notice that it's being offered used here at an absurdly low price. The earliest recordings, from 1942 (Mendelssohn Sym. #4, Sibelius Sym. #7, and Capricico italien), come from the same recording sessions. Though perfectly cleaned up by the remastering engineers, their basic sound is gritty and dry. You have to turn them up to extract detail and color, but luckily they can withstand loud volume levels and then acquire considerably more presence. The performances themselves are excellent, putting the lie to Beecham's sad time sitting the war out in the U.S. (for which he was bitterly criticized in England). The reviewer who comments that the Sibelius is inferior to the Mendelssohn seems off base to me; these are both great performances.
At the end of CD 1 we get a marvelous Merry Wives of Windsor Over. from 1949, in noticeably better sound, though far from the best to be heard from that era.
CD 2 conintues the 1949 sessions with the kind of light classical material that Beecham was famous for. We get infectious performances of Ponchielli, Bizet, and a second go at Capricico italien. Since both CDs are genersouly timed at 75 min. and 70 min., this last doesn't seem too wasteful. Then we jump back to 1942 for the Le Coq d'Or Suite, which is spoiled for me by the nasty sonics, despite Beecham's obvious relish for this colorful score. The final Rossini Semiradmide Over. dates from 1952 with the Philadelphia Orch., and the sound is about the same as from 1949. I found hte performance rather ordinary, however.
Since I am not a fan of light classics, much of this collection wouldn't top my list of Beecham greats, and the most appealing items, the two symphonies, are in the worst sonics. Even so, this is a valuable collection, particularly if you can get it used at a low price. BTW more of Beecham's American Columbia recordings have been newly reissued by Sony, although they are more readily available in the UK than here.
4 of 4 found the following review helpful:
Excellent remasterings make this a cause of joy for Beecham fans!! Dec 22, 2005
I bought this 2 disc set in 1997 largely for reasons of nostalgia. I recall fondly a CBS "Odyssey" mono LP which I bought in August 1973 from a Doubleday Record store in downtown Detroit, Michigan and had in my collection for over 10 years. The LP performances are in this CD set: Bizet's CARMEN Suite,
Ponchielli's DANCE OF THE HOURS (La Giaconda), and Tchaikovsky's CAPRICCIO ITALIEN, all by Beecham/Columbia Symphony. Needless to say, the CD remasterings and absence of hiss, pops and ticks make the performances spring to new life, and are much superior to the Odyssey LP.
Beecham's Mendelssohn ITALIAN Symphony and Rimsky COQ D'OR movements with the New York Philharmonic are no less excellent. Even the 1942 Mendelssohn is very fine, and quite evenly balanced in all registers/ranges.
All tracks in this collection are Mono, and the Columbia Symphony tracks date from 1949. The New York tracks are from 1942-43, and also include a Sibelius Symphony 7 which Beecham attempted (in court) to keep from being published, but lost the suit.
Note: Beecham's 1949 OVERTURE TO THE MERRY WIVES OF WINDSOR (Columbia Symphony)also in this collection - has one of the best played Allegro sections I've ever heard: spirit and brio which has to be heard to be believed; describing it in words doesn't do it justice.
|
| |
|
![Firefly: The Complete Series [Blu-ray]](http://ecx.images-amazon.com/images/I/51734pRq2%2BL._SL75_.jpg "Firefly: The Complete Series [Blu-ray]")
![Gattaca [Blu-ray]](http://ecx.images-amazon.com/images/I/51VfE5rU9OL._SL75_.jpg "Gattaca [Blu-ray]")
![Dogma [Blu-ray]](http://ecx.images-amazon.com/images/I/51jodUuWwRL._SL75_.jpg "Dogma [Blu-ray]")
![In the Line of Fire (+ BD Live) [Blu-ray]](http://ecx.images-amazon.com/images/I/517-i5uTghL._SL75_.jpg "In the Line of Fire (+ BD Live) [Blu-ray]")
