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| Keyword Search: Dennis Kamakahi |
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|  |  | | Customer Reviews: | | | Average Customer Review: Write an online review and share your thoughts with other customers.
Otmar is always wonderful! Feb 05, 2009 We always enjoy listening to his music. This is the third album for our family. We listen to it a lot when we have dinner guests over...full of energetic and fun music
2 of 3 found the following review helpful:
Classical guitar with a blues twist Jan 30, 2005 If you love the blues or rock and you love classical guitar, you cherish this gem. I only recently discoverd Ottmar Liebert with this album - I will be buying more of his work soon.
2 of 2 found the following review helpful:
I enjoyed it but he has done better Oct 13, 2004 I picked this up in my flamenco stage two years ago and never got around to listening to it. Saw ottmar live for the 1st time several weeks ago and wanted to go back and listen to all his stuff I own.I have read the other reviews and they seems to be fair. My take, he puts a flamenco twist on some notable tunes which are interesting. Ultimately, I got tired of listening to it and moved on. Some of it just sounded so much of the same.
2 of 3 found the following review helpful:
An album to have! Sep 01, 2003 This is one of the best Ottmar Liebert's works, in my opinion. After The Hours Between the Night and Day, Little Wing is the album to give to someone you would like to 'innitiate' in Ottmar Liebert and Luna Negra's musical experience. Friends who have never heard of him and listened to this album, loved it since the very first time.Enjoy it!
1 of 5 found the following review helpful:
Good work on the covers... Jun 19, 2002 Yes, I was definitely more impressed by the four covers than on the eleven originals. Hendrix' "Little Wing" definitely is the best, certainly not a copy of Hendrix, but a very individual perspective. And only the top players can take a familiar standard like "The Girl From Ipanema", and give it such a new dress as Liebert does. And he scarcely does less for Rollin' Stones' "Paint It Black", or Led Zeppelin's "Xanadu". I don't want to ignore the other 11 cuts, that which represents the older work we're familiar with. However, these cuts don't seem to sparkle like his older work. Hopefully, this is just a minor lapse, because I have come to think of the artist as a reliable standby among new age artists. This is still a good enough album for fans and for those not yet introduced to Liebert's music.
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