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Leonard Bernstein: The 1953 American Decca Recordings
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Leonard Bernstein: The 1953 American Decca Recordings  (Audio CD) 
by Ludwig van Beethoven

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Product Details:
Audio CD Release Date: February 08, 2005
Studio: Deutsche Grammophon
Composer: Ludwig van Beethoven, Johannes Brahms, Antonin Dvorak, Robert Schumann, Spoken Word, Pyotr Il'yich Tchaikovsky
Conductor: Leonard Bernstein
Orchestra: Stadium Symphony Orchestra of New York
Number Of Discs: 5
Format: Box set
Average Customer Rating: based on 5 reviews
Track Listing:
Disc: 1
1. Symphony No. 3 in E flat major ('Eroica'), Op. 55: 1. Allegro con brio
2. Symphony No. 3 in E flat major ('Eroica'), Op. 55: 2. Marcia funebre: Adagio assai
3. Symphony No. 3 in E flat major ('Eroica'), Op. 55: 3. Menuetto: Allegro molto e vivace
4. Symphony No. 3 in E flat major ('Eroica'), Op. 55: 4. Finale. Adagio - Allegro molto e vivace
5. Simplicity itself (Musical Analysis of Beethoven's Symphony No. 3 by Leonard Bernstein)
6. I always feel this gigantism... (Musical Analysis of Beethoven's Symphony No. 3 by Leonard Bernstein)
7. We have just been examining... (Musical Analysis of Beethoven's Symphony No. 3 by Leonard Bernstein)
Disc: 2
1. All that we have said... Finale (Musical Analysis of Beethoven's Symphony No. 3 by Leonard Bernstein)
2. The study of the Eroica is a lifetime work - Symphony No. 3 (Musical Analysis of Beethoven's Symphony No. 3 by Leonard Bernstein)
3. Symphony No. 9 in E minor ('From the New World'), B. 178 (Op. 95) (first published as No. 5): 1. Adagio - Allegro molto
4. Symphony No. 9 in E minor ('From the New World'), B. 178 (Op. 95) (first published as No. 5): 2. Largo
5. Symphony No. 9 in E minor ('From the New World'), B. 178 (Op. 95) (first published as No. 5): 3. Scherzo: Molto vivace
6. Symphony No. 9 in E minor ('From the New World'), B. 178 (Op. 95) (first published as No. 5): 4. Allegro con fuoco
7. Does this music sound like the New World to you? (Musical Analysis of Dvorák's Symphony No. 9 by Leonard Bernstein)
8. We come now to the second movement (Musical Analysis of Dvorák's Symphony No. 9 by Leonard Bernstein)
9. The Third movement is a marvel (Musical Analysis of Dvorák's Symphony No. 9 by Leonard Bernstein)
10. And now the last movement... (Musical Analysis of Dvorák's Symphony No. 9 by Leonard Bernstein)
11. The final claim... (Musical Analysis of Dvorák's Symphony No. 9 by Leonard Bernstein)
Disc: 3
1. Symphony No. 2 in C major, Op. 61: 1. Sostenuto assai - Un poco più vivace 0 Allegro ma non troppo - Con fuoco
2. Symphony No. 2 in C major, Op. 61: 2. Scherzo: Allegro vivace
3. Symphony No. 2 in C major, Op. 61: 3. Adagio espressivo
4. Symphony No. 2 in C major, Op. 61: 4. Allegro molto vivace
5. Robert Schumann has been dead... (Musical Analysis of Schumann's Symphony No. 2 by Leonard Bernstein)
6. To my mind, Schumann follows in this tradition... (Musical Analysis of Schumann's Symphony No. 2 by Leonard Bernstein)
7. Now let's look at the Symphony itself (Musical Analysis of Schumann's Symphony No. 2 by Leonard Bernstein)
8. And so we have arrived... (Musical Analysis of Schumann's Symphony No. 2 by Leonard Bernstein)
9. In the marvelous Scherzo that follows... (Musical Analysis of Schumann's Symphony No. 2 by Leonard Bernstein)
10. But perhaps the greatest beauty... (Musical Analysis of Schumann's Symphony No. 2 by Leonard Bernstein)
11. Even in the final movement... (Musical Analysis of Schumann's Symphony No. 2 by Leonard Bernstein)
Disc: 4
1. Symphony No. 4 in E minor, Op. 98: 1. Allegro non troppo
2. Symphony No. 4 in E minor, Op. 98: 2. Andante moderato
3. Symphony No. 4 in E minor, Op. 98: 3. Allegro giocoso - Poco meno presto - Tempo 1
4. Symphony No. 4 in E minor, Op. 98: 4. Allegro energico e passionato - Più allegro
5. Brahms' Fourth Symphony in E minor... (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)
6. Our journey begins without introduction (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)
7. Do you see now what a symphonic theme is? (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)
8. Now think of it - we have so far only had 44 bars of music (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)
9. Here is that second theme (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)
10. This brings us to the development section proper (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)
11. And here we are back home (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)
12. So we arrive at the coda (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)
13. Well, we have had a microscopic view (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)
Disc: 5
1. Symphony No. 6 in B minor ('Pathétique'), Op. 74: 1. Adagio - Allegro non troppo
2. Symphony No. 6 in B minor ('Pathétique'), Op. 74: 2. Allegro con grazia
3. Symphony No. 6 in B minor ('Pathétique'), Op. 74: 3. Allegro molto vivace
4. Symphony No. 6 in B minor ('Pathétique'), Op. 74: 4. Finale: Adagio lamentoso - Andante
5. Now there is a melody (Musical Analysis of Tchaikovsky's Symphony No. 6 by Leonard Bernstein)
6. Now the development section erupts (Musical Analysis of Tchaikovsky's Symphony No. 6 by Leonard Bernstein)
7. Now one would think... (Musical Analysis of Tchaikovsky's Symphony No. 6 by Leonard Bernstein)
8. Jumping now to the famous third movement (Musical Analysis of Tchaikovsky's Symphony No. 6 by Leonard Bernstein)
9. Perhaps the most admirable example... (Musical Analysis of Tchaikovsky's Symphony No. 6 by Leonard Bernstein)
10. Now I don't want to give you the impression... (Musical Analysis of Tchaikovsky's Symphony No. 6 by Leonard Bernstein)
 
Customer Reviews:
Average Customer Review:4.0
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5Bernstein the Teacher  Nov 25, 2007
This is an invaluable set for Bernstein fans. Along with these early recordings you get his interesting analysis of each work. The sound is ancient mono but these records tell of what was to come from Lenny. They are very fine, especially his hectic version of the Tchaikovsky 6th.



3 of 6 found the following review helpful:

3It's wonderful to have Bernstein back, but the performances fall short  Nov 26, 2006
These 1953 mono recordings catch Bernstein a decade after his famous debut with the NY Phil. and five years before he became their youngest-ever condcutor. It's great to hear that warm, comforting voice again, although his analyses--especially the longest one devoted to the Brahms Fourth--aren't as polished as they would become. He gets pedagogical at times and runs us through a rote example-and-explanation formula. Even then, howeer, colorful Bernstein touches peek out, and we are reminded of the man who taught an entire generation to venerate classical music.

For me, the performances themselves fall short. They were often recorded in a rush, sometimes late at night after a summer concert. I know that the Stadium Sym. is actually the NY Phil., but they don't sound particularly fine, and Bernstein's interpreatations, though vigorous, often border on the slapdash. Plowing through Beethoven's 3rd, Dvorak's 9th, Schumann's 2nd, Brahms' 4th and Tchaikovsky's 6th, I found few sparks of originaity, much less genius. This is a tough admission from one of LB's geat admirers, but there you are. The original recorded sound is also a bit thin and harsh.

7 of 8 found the following review helpful:

5Come back Lennie, we need you  Feb 21, 2006
This box is worth its price just for the five talks. Bernstein at this stage had a teaching style rather more stilted than the chatty sage of later years, but the combination of authority, insight and infectious enthusiasm is unique. Entertainingly offhand about the New World, he's at his best on the music he reveres most, i.e. Beethoven, Schumann, and Brahms, the first movement of whose Fourth Symphony gets a particularly in-depth analysis that left me yearning for more. Practically anyone could enjoy and learn from these talks - they're fascinating fun without a whiff of down-dumbing. When the classical and the popular cross over nowadays, the results are usually compromised and crass, but with Bernstein there doesn't even seem to be a gap to be crossed over - just a passion to share these wonders with as many people as possible. We need his all-embracing talent and vision today more than ever.

Then there are the performances. I'm not the biggest fan of mono symphonic recordings, but these positively leap down your ears, unmannered, committed and electric. It's hard to believe what was achieved under the hasty recording conditions described in the booklet. The sound is a little fierce, but good enough to make this set a wonderful gift for any open-minded but symphonically ignorant acquaintance. I can easily imagine it turning someone on to classical music.

24 of 24 found the following review helpful:

4For Bernstein enthusiasts, it's like owning a gold mine  Jun 18, 2005
This new album set is something that I had heard of, but never dared to hope would be released on CD. It consists of Leonard Bernstein's very first recordings of Beethoven's Symphony No. 3 (the "Eroica"), Dvorak's "New World Symphony", Schumann's Symphony No. 2, Brahms' Fourth Symphony, and Tchaikovsky's "Pathetique" Symphony. They are all conducted by Bernstein and played beautifully by an orchestra which bills itself as the New York Stadium Symphony Orchestra, but which is really the great New York Philharmonic, using the name that they gave themselves during summer concerts.

The performances are a revelation, because they demonstrate conclusively that Bernstein did not always "exaggerate" or "overinterpret" great music, as critics frequently claim. His performances here are very, very direct and straightforward, more like Fritz Reiner or Toscanini than like Bernstein.

If this album contained only Bernstein's early performances of these symphonies, it would be interesting, but it might not really attract that much attention, since he re-recorded all of these pieces in stereo in later years, and with the same orchestra.

What makes this set so valuable is that it contains his long out-of-print lectures on these symphonies, and far from what the previous reviewer claims, they never become boring and monotonous. No musician in our time, or maybe even in the history of music, was a better or more articulate and sensitive lecturer on music than Leonard Bernstein. His legendary appearances on the "Young People's Concerts" did more for the appreciation of classical music than all the "Beethoven's Wig" albums combined. (If you don't know what "Beethoven's Wig" is, check it out and shudder at how far music appreciation has fallen since Bernstein's death.)

Bernstein had a unique ability to make classical music accessible to everybody, without ever condescending to the listener or cheapening the music. His lectures on this album, previously only available to 1950's Book of the Month Subscribers (except for part of the Beethoven lecture, which is the only one that Bernstein did re-record in stereo), are invaluable both to music students and to those who are willing to listen. All of the lectures included cover all four movements of the symphonies discussed, except for the Brahms; that one is just as extensive as the others, but it covers only the first movement of the symphony.

However--be warned, the lectures do have a flaw that the symphonies themselves do not, and that is why I have subtracted one star.

The symphony recordings are obviously remastered from magnetic tape, but the lectures have been transferred from LP's. Thus, you will be able to hear an occasional click or pop from time to time, and there is a clearly audible "skip" on the Brahms lecture. It is NOT the CD being defective, or the laser beam on your player skipping; it is clearly the lecture recordings themselves. Deutsche Grammophon, which released this CD set, is very honest about the source of the transfers to compact disc, and is to be commended for this. (They mention it in the last page of the accompanying booklet.) But this shouldn't deter anybody from buying this enormously important Bernstein set.

7 of 7 found the following review helpful:

4Bernstein's Early American Recordings  Apr 01, 2005
The most recent batch of DG's "Original Masters" box sets boasts several titles that will leave classical collectors rejoicing, "Leonard Bernstein: The 1953 American Decca Recordings" foremost among them. This 5CD set features Lenny in his earliest recorded performances of some of his trademark works -- Beethoven's 3rd, Dvorak's 9th, Schumann's 2nd, Brahms' 4th and Tchaikovsky's 6th Symphonies. Bernstein would later re-record all of five these symphonies with the NYPO (btw, the Stadium Symphony Orchestra of New York IS the NYPO) to greater acclaim for Columbia, but these early accounts capture a brilliant young conductor at the threshold of greatness. Also after each performance, Bernstein offers a musical analysis, simplifying what the listener just heard as only he could, which is again something the conductor would become famous for in years to come. Well then, if this is such a great set, why the four-star rating? First, while the performances sound very good, these are 1953 mono recordings and the casual fan needs to be aware that analog and digital stereo recordings of these works by the conductor do exist, and are generally preferable. Second, the musical analysis is a nice touch, but certainly does not warrant repeated listenings, as does the music. In fact, nearly half of the contents of these five discs is LB talking, and it could have been filled with music instead, or simply sold as a less expensive 3CD set. However, these shortcomings aside, "Leonard Bernstein: The 1953 American Decca Recordings" is another outstanding release in a fine series.

 
 
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