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Casino Royale
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Casino Royale  (Audio CD) 
by David Arnold

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Description:

Now in its fifth decade, the James Bond film series has outlived the Cold War concerns that spawned it--not to mention the acting careers of a Sean Connery replacement or three. Indeed, its musical sensibility has often been the cycle's most reliable artistic link across the decades. While the arrival of latest Bond Daniel Craig inspired the producers to forge a long-overdue prequel plot gambit ("How Bond became Bond") for their Casino Royale redux, composer David Arnold's fourth Bond score helps bridge the past while subtly pushing it ever forward. The album's absence of a pop-song title single (though the melody of the Arnold/Chris Cornell-composed "You Know My Name" is interpolated into the underscore) isn't terribly shocking, considering the waning fortunes of recent efforts in the genre. But other traditions continue, with the full-bodied score here subtly infusing the elegant spirit of original Bond maestro John Barry into Arnold's own mix of brooding tension-builders and the dynamic, brassy rhythms of his signature action cues. The latter even gingerly cross over into the synth-charged club milieu of Eric Serra's GoldenEye score, a sensibility that was reviled as sacrilege by Bond aficionados a decade ago but that's since become a staple of mainstream film scoring. Arnold brings it all full circle with the muscular coda "The Name's Bond...," a lovingly authentic, barely revamped workout of the epochal Barry/Monty Norman theme that anchors the series to glories past. --Jerry McCulley

Product Details:
Audio CD Release Date: November 14, 2006
Studio: Sony Classics
Number Of Discs: 1
Format: Soundtrack
Average Customer Rating: based on 77 reviews
Track Listing:
1. African Rundown
2. Nothin' Sinister
3. Unauthorised Access
4. Blunt Instrument
5. CCTV
6. Solange
7. Trip Aces
8. Miami International
9. I'm The Money
10. Aston Montenegro
11. Dinner Jackets
12. The Tell
13. Stairwell Fight
14. Vesper
15. Bond Loses It All
16. Dirty Martini
17. Bond Wins It All
18. The End Of An Aston Martin
19. The Bad Die Young
20. City Of Lovers
21. The Switch
22. Fall Of A House In Venice
23. Death Of Vesper
24. The Bitch Is Dead
25. The Name's Bond...James Bond
 
Customer Reviews:
Average Customer Review:4.0
Write an online review and share your thoughts with other customers.

1 of 1 found the following review helpful:

5Pure Amazement  Nov 24, 2009
Just like the movie, this soundtrack is one of the best ones you can buy

4Almost as good as Barry's scores  Sep 12, 2009
Strong, very strong Arnold score (probably is best effort in the Bond series). As good as Tommorow Never Dies (if not better), far better than The World is not enough and way better than Die another Day. It's a pity that Cornell's title song...

4Bond gets his mojo back  Apr 26, 2009

After the too-often bland mechanics of The World is Not Enough and the unimpressive techno stylings of Die Another Day, David Arnold's score for Casino Royale marked a return to the more John Barryesque approach of his Tomorrow Never Dies, with even a few touches of Stargate in there as well. Despite there being only a few references to the title song (curiously not included on the CD) in the score, there's less of the post-Barry problem of Bond scores with no thematic consistency here, with Arnold's most notable main theme being an insistent, physically aggressive but slightly less relentless than expected action theme. The Bond theme itself only appears in the final cue in a particularly robust retro rendition. There are more quiet moments and sensual this time round over the length of its 74 minutes (City of Lovers probably the best). It's not one of the great Bond scores by any means, but in a poor year for film music it's one of the better recent efforts. Be warned, the track listing contains one massive spoiler if you haven't seen the film yet!

1 of 1 found the following review helpful:

5A great soundtrack and a greater score  Jan 18, 2009
Ignore the complaints that the Monty Norman theme isn't played bold and brassy throughout the score; the subtle use of notes of the theme woven through the score until the final unveiling at the end make the journey that much more interesting and musical. Great pulsating action music and lovely melodies, especially in the case of the achingly touching Vesper theme, all expertly orchestrated and performed. This is the type of score ignored by the Academy snobs in lieu of obscure esoteric wallpaper sounds (will Thomas Newman ever get the Oscar he deserves?)and is not only a wonderful reminder of a terrific film but also a great musical score that stands on its own.

1 of 1 found the following review helpful:

5Relive the film through its strong dark / romantic soundtrack  Nov 22, 2008
About the Soundtrack:
This is quite literally a movie soundtrack, meaning it features the background music from the film "Casino Royale (2-Disc Widescreen Edition)". The tracks on this 74 minute album are in the same sequence as the tracks appeared in the film. Since the tracks are in sequence, many of them blend well into each other - which is nice if you'd like to listen from start to finish.

Many reviewers correctly point out that Chris Cornell's "You Know My Name" (the theme song) is not included. The album itself says this as well. Don't worry. The theme song (sans lyrics) inspired much of the soundtrack in the film, and you will get to enjoy Cornell's song or Monty Norman's original James Bond Theme in multiple tracks, including:

- Blunt Instrument (my personal favorite on the album)
- Trip Aces
- Miami International
- I'm the Money (the introduction of Vesper Lynd)
- Aston Montenegro
- Dinner Jackets (where you'll enjoy a classic 007 entrance theme mix)
- Bond Wins It All (towards the end of the track)
- The End of An Aston Martin
- Fall of a House in Venice

And naturally the James Bond theme makes a full on appearance in "The Name's Bond ... James Bond".

Overall, Arnold has composed one of the strongest soundtracks I've heard (as a John Williams fan I think this is something of a strong statement). The chase tracks (such as Miami International or Dirty Martini) are just as intense (and long) as the filmed scenes, while the romance tracks (such as Vesper) are equally as moving. In fact "Vesper" reminded me of some of the romance themes from some of the early Sean Connery films. Her theme continues in "City of Lovers".

About the Composer:
Grammy winning composer David Arnold had scored three previous Bond films prior to Casino Royale. He was very familiar with taking another artist's opening track and blending it with the classic Bond Theme in a manner appropriate with each major scene or act. (Note: He has since also scored the sequel film "Quantum of Solace".)

He has also scored a number of other popular films from the mid-1990s to present. Notable films include Stargate (Ultimate Edition), Independence Day (Single Disc Widescreen Edition), and A Life Less Ordinary.


 
 
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