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 Great companion to the first set Jul 06, 2009
This second set has a few more "modern" allman compositions on it. And the boys lay down a great concert. A "must have" if you're a fan.
jest a great allman brothers album Feb 09, 2009
I was never really into the "later" ABB, but I picked this up based on the Amazon reviews - and I'm glad I did. Not eeggzackly the spark and electricity of the orig. ABB, but a great rockin' album none the less.
Sweet acoustic version of Elizabeth Reed, outstanding Jessica. And really, if you had Eat A Peach and Live at the Fillmore East as a teenager, like I did, do you really have the energy to listen to those records anymore?
 Pretty Amazing Stuff May 05, 2008
I only listen to Elizabeth Reed and Jessica but that is 26 minutes of music, this is a great addition to any music fan's collection, they won a grammy for this I think, I don't see me ever giving this one up
1 of 1 found the following review helpful:
(4.5 stars) Even better than the first set, which is tough to top Jan 22, 2008
Bad news first: "You Don't Love Me" is a disappointment, and a big one at that. I understand you can't expect a bunch of guys who are a combined twenty billion hundred million thousand whatever years old at that point to, in the immortal words of either Franz Kafka or George Clinton (not sure which one), "tear the roof off the sucker" like they used to do back in "the day" (no, not that day, the other day), but it's still kind of stoic and boring. Now, the good news: everything else is far better. Especially when the group just jams - "Back Where It All Begins", for instance, might even be better than the studio version. And you know how they always slightly vary "In Memory of Elizabeth Reed" when they play it live? Well, here's it's all acoustic! And it's sweet! Especially when it comes to the soloing. Now, here's a proposal for a bill that should be signed into federal law: all bands must record and release at least one song with an acoustic guitar solo. Hey, I'd vote for it. Oh, and there's a bass solo! I mean, how cool is that? And "The Same Thing" has some fantastic heavy blues licks - it's about the heaviest the group has ever gotten, in fact. Their Bo Diddley tribute "Nobody to Run with" (one of the four songs from Where It All Begins, along with "Back Where It All Begins", "Soulshine" and "Sailin' 'Cross the Devil's Sea" - all three are awesome) is good fun, as it was on the studio version. And they save (arguably) the best for last with "Jessica", with some slight shifts in tempo that give it an epic feel, as well as the usual great guitars that this incarnation of the band has in spades. It won a Grammy, and I understand why. It might even be better than the classic original. But that's a tough call. Oh, and look for the "There Is a Mountain" quote. Think they were feeling nostalgic? This is by far the best of the two "Evening With" sets, though both are fantastic - it easily ranks up there with the classic live albums of yore.
1 of 1 found the following review helpful:
EVEN THIS OL' "AT FILLMORE EAST PURIST" LOVES THIS 2nd SET ! (the unplugged In Memory Of Elizabeth Reed is amazing) Sep 07, 2007
An Evening With The Allman Brothers Band 2nd Set (1995) was recorded in 1994 at shows in Raleigh, NC and New Jersey's Garden State Arts Center. This was during the Back Where It All Begins period, and there are four songs from that album included here.
The opening song, Sailin' Cross The Devil's Sea sounds great, a lot like the studio version, and features Gregg Allman's legendary blues growl. Gregg and Warren Haynes both shine on this inspired version of Warren's Soulshine. Dickey Betts' Latin-flavored and breezy Back Where It All Begins features a long guitar jam, where he and Warren trade interesting and enthusiastic solos. They also do a great job on No One To Run With.
They dip into the At Fillmore East catalog with a very good version of You Don't Love Me, and while not as ambitious as the 20+ minute Fillmore East version, it is very good, and Dickey even flashes back to the earlier version by quoting his guitar solo from it. It's really an amusing and touching moment, and it sounds good, too. They also do a nice cover of another old blues song, The Same Thing.
This recording of Jessica won the Allmans their first and only Grammy Award, and what a wonderful version of Jessica this is! With dual guitar harmonies and more bongo drums and percussion than the studio version, the song sounds almost completely different from the original, and stretches out over sixteen minutes.
Even with all this, the real highlight on the album is the breathtaking unplugged version of In Memory Of Elizabeth Reed. WOW!!!!!!!!!!!! The newbies who think Dickey Betts is no more than a mediocre guitarist should listen to this, and then reconsider. Warren Haynes stays right up there with him. The two guitarist show what they can really do on acoustic guitars, and bassist Allen Woody shines, too. This is priceless, a real gem that no ABB fan would want to miss.
Like the First Set, the 2nd Set was produced by music legend (and At Fillmore East producer), Tom Dowd, and the sound is exquisitely crisp and crystal clear. The clever packaging on both sets is almost identical, with the same cover photo, except the First Set is blue, the 2nd Set is red, and the photos inside and liner notes are different (the layout is the same).
This was a good place in time for The Allman Brothers Band and their fans, and it really shows on An Evening With The Allman Brothers Band, First Set and 2nd Set. Don't miss out on em'!
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